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see also photos from Pedalboards


Lars Lehmann larslehmann.com

Lars Lehmann

"The Goliath bass preamp is a useful little tool for live gigs and studio work. However,
it will never add too much colour to the sound, but indeed sound honest und valorize
the natural sound of the bass guitar that is being used. With a minimum of effort
users will be able to breathe life, warmth and punch into their instruments sound.
Get an impression on how Goliath works by clicking through the several sound
snippets I have recorded
for this homepage. I have no doubt that the Goliath bass
preamp will not only expand my collection of preamps und effects in my studio,
but will instead be used heavily for most of my upcoming bass recordings".
Thank you very much, Roland!
Lars Lehmann" (bassplayer, clinician, music journalist)

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Ralf Gauck - ralf-gauck.de/

Ralf_Gauck

I was looking for a simple but noble studio preamp for my bass,
which has the audiophile clarity and produces the warmth of a tube.
Easy to use, without many control elements, to reproduce the sounds of my bass as natural as possible.
So far I always had the problem, that all the tube devices produced too many background noises.
With the WRA Gnome Tube DI, I have found a line device, which exactly produces,
what I had in my mind- a clean bass signal with the warmth of a tube.
I send my bass signal simply through this DI and get at the output a noble and warm sounding signal.
Thanks Roland!

(Ralf was so dear and made a video about the gnome which you can see here)

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Christian Eller - christianeller.de

Christian Eller

In short: pure tube sound, lots of functionalities and high-quality parts with all possible convenience!
That's the formula for success, and Roll's products have moved all of my tube-pedals I used so far to the
second rank. The Goliath is an all-purpose solution for every imaginable use case. In the studio, on stage or
in club-sessions - it always cuts a fine figure, either in an extensive row of pedals or as a stand-alone preamp.
By means of deep and sensitive-switch and the passive equalizer section you can also purposefully apply
advanced modifications of sound. The Lehle LTDI-L transmitter in combination with the bypass switch for
the TRS plug even allows giving the signal to FOH and InEar simultaneously with different settings.
With the Gnome Roll's follows a concept not seen before. Tube-sound in midget format
featuring Lehle-DI, sensitivity switch and tube/dry switch for the TRS plug. It was immediately clear that
the Gnome would be a steady guest in my gig bag. Whoever is looking for a tube-DI-box in miniature
format with a big sound should make sure to try out the Gnome.
Thanks a lot, Roll, for these two fantastic products!!! Handcrafted in Luxembourg.

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Jacques Ruppert "CEO of Ruppert Musical Instruments"

Jacques Ruppert

"The basis for testing new basswitch products is a custom build, neutral sounding solid state amp/speaker combo.
The WR Goliath Tube Bass Emphasizer transforms that set-up in a huge sounding bassamp,
allowing to easyly A/B the sound of my products in two different environments, Great job Roland!"

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Frida Park Studio ------- Facebook

Frida_Park_Studio

We’ve been searching for a studio device like that for ages!
Lars Lehmann highly recommended the GOLIATH to us.
Great piece of technology that lifts every bass track of every style to the needed dynamic range.
Fits perfect in every mix! Thanks for inventing this, dear Roland!

Video

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Ove Bosch "ovebosch.de" "Wendrsonn" "Warwick BassCamps"

Ove Bosch

Finally every-thing's settled!
I had been searching for a DI box that would give my sound that certain something on its way to the mixer
for a long time. After trying out quite a few devices in the course of time, some better, some less satisfying,
friends and colleagues recommended this box ( "WR Tube Bass Emphasizer DI") to me. And what can I say
- my sound has become richer in the full sense of the word. It's more alive and dynamic, and is clearer and
better identified in the overall mix of the band. On the in-ear monitor it sounds tight and more precise in the mix.
The sound of my Class D Lightweight Amp becomes warmer and rounder with the Goliath. After a short test I
knew for sure, that it's got to be the Goliath; the search is over.
Thank you for the awesome piece of equipment an your kindness.
Yours, Ove Bosch

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Pol Belardi - polbelardi.com

Pol Belardi

First of all I'm really happy to have the opportunity of putting this preamp to the acid test and to be entitled
to comment on this. Incidentally I have to subjoin, that up to now I have rarely played with preamps on regular
occasions since I still believe in choosing a good instrument and the actual source of sound, the bass player and
his fingers. But nonetheless a little technical help won't hurt, and having said this I'm enthused by the results
using the Goliath.
The diversity of sound is very pronounced: from pearly sounds rich with harmonics (optimal for tapping or
sophisticated finger techniques) to nicely growling Precision-low-mids and finally almost synth-like dublines,
everything is possible. You can have fun playing off the generously chosen adjusting knobs against each other to
find your favourite setting for ever y situation. What is amazing though is the fact that every sound over all
ranges gains warmth, which comes dangerously close to the feeling of a classical tube amplifier. So close actually
that your spine will be grateful for not always having to drag along a Hiwatt or Ampeg SVT Classic. Besides
treble, bass and mids of course the main volume can be adjusted. The back of the device features a
"Deep" - switch which adds a lot of low-end.
My Version has an essential innovation: a sensitive input-gain potentiometer that continuously controls the input
gain which to me is a very felicitous upgrade, especially if you own several basses with quite different output
(in my case a '73 Fender Jazz Bass with a rather low output, a '83 JV Squier Precision Bass with a lot of power
and a Leduc Masterpiece, which has an extremely powerful but ultra clean sound). Concerning the manufacture
the clue is in the name! Indestructible, which is a necessity for gear intensively used on tours.
Conclusion: The Goliath Bass Emphasizer feels great and gives you kicks! I don't see it as a permanent
companion, which should be used in absolutely every band an every concert, but even better: it broadens the
sound palette of a bass player enormously and you should always have it within reach.
If bassline or sounds don’t really seem convincing at times, maybe adding a little tube warmth from the Goliath
just solves the problem like magic. To give an analogy from photography: who is not inspired by the often barely
noticeable, but still existing image noise in old analog photographs, which gives the picture unexpected mystical
depth and vibrancy... this is exactly what the Goliath does with my bass sound!
Pol Belardi, January 2017

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Andreas Schwenke

Andreas Schwenke

I play this little Wonder- Box with my Nylon Electric Guitar and it is the missing link,
which adds livelyness and warmth to the tone so that it becomes more dynamic and
the charakter of the instrument shines out beautifully. I use the Gnome also for recording
with an Archtop and an acoustic steelstring- it works fantastic!
And at least the handling: it's a real must have!!

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Wolf-Ruprecht Schwarzburger (Rupi) schwarzburger.com

Schwarzburger Wolf Rupi

Meanwhile I have checked out the GNOME in different situations during several weeks. I have to admit, that
now the GNOME is indispensable for my setup. To get this straight: I never had problems with my bass sound,
the opposite is the case. But with the GNOME things go one step further, it makes the sound even better, which
was good to begin with. In recording sessions it really pimped the sound of my JBs, I love this old tube sound!
The sound's original character is retained exactly, it just gets more defined, compact and has more class.
With the fretless it's just unbelievable. Even with double bass the GNOME works great in conjunction with the
Basswitch because of the EQ. For recordings I normally use just microphones. Live with the electric Basses it's
simply awesome. I just have to plug the GNOME directly into the mixer and monitoring goes via InEar,
Wedges or bass amp input - done. Bass plus GNOME - there you go with a super cool sound!
The amazing thing is, the Gnome Di Box is so lightweight, that I frequently can go to gigs by train ;-)
So again - thanks a lot! Rupi

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Thomas Dölger

Thomas Dölger

Since I play live gigs very often and am quite fed up with hauling all that gear, another solution had to be found.
Most of the time the bass also is a little loud with the customary equipment on stage. It is often amplified
with the PA. I decided to go for the solution effects unit plus active 12'' speaker. I also wanted a tube sound
on stage, and didn't want to do without it in the PA mix. By searching the web I found the Gnome Di Box.
Now I'm very content with the sound. Great stage / PA-sound. The Gnome Di Box can be adjusted very flexibly.
From clean to SVT-sounds everything is possible. Compliments for such an awesome product.
I highly recommend it, it is worth its price.

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Thorben Tschertner

Thorben_Tschertner_

Hello Roland, finally I can give you some feedback concerning the rest! Sound: exactly what I was looking for,
tube character, slight compression, true, warm and resonant without tampering with the basic sound.
Equalizer: I was very exited about how the frequency bands would effect each other and I am suprised,
how simple it is to find the desired sound. I actually just adjust the treble a little depending on the instrument,
and I'm done. Workmanship: top quality! All things considered a great tool.
Best whishes, Thorben

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Mike Stanzel mixxed-up.de/

Michael Stanzel

The Power of less. To make long explanations short: The Gnome DI is tiny, but sounds as huge as a tube-full-stack.
This is the real deal, the MUST-HAVE, the holy-grail for every serious bass-player who wants to add
an true tube-grit, from lighty creamed to full-on SVT compression to any transistor-amp.
Thank you, Roland. My search for THE tube-sound ends here!

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Heiko Behrendt "ABBA FEVER"

Heiko_Behrendt_mit_Goliath_

Hello Roland, today was my rack-tinkering day. The Goliath (WR Goliath Emphasizer"DI")
has arrived and it sounds unbelievably good. I had two other, very high-class preamps
working to compare with. Your Goliath is top of the ranking. The tube brings elegant warmth
and ampleness into my sound. My five-string Stingray sounds so incredibly beautiful.
The tone of the instrument remains, but the sound is enhanced. The recorded tracks
by Lars Lehmann show this very explicitly. Already now I'm looking forward to the next gigs.
Thanks a lot for the fast delivery.
Kind regards from Heiko in Hamburg (...bass section of abbafever.de)

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Patrick Gruber

Patrick Gruber

The Goliath DI is the perfect „go to“ pedal for my Live - and Studio setup.
Four knobs are giving me every soundsshape i need and work great together with all of my passive vintage basses.
The tube adds an awesome amount of tube saturation, compression and warmth to my sound.
Especially for recording this little box is my first pedal of choice.

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Paul Schneider

Paul Schneider

I was looking for a Pedal produces the warm, sweetening Sound of Tubes, not only on my backline
but especially to the DI out. Thank's Roland, I found it. After I saw the video of "basstheworld.com"
it was a must have to me. This little helper produces the warmth, crispy big sounding Tubes out of the Box
and is very easy to handle. The Goliath gives me good harmonic vibration und smooth overtones.
Thank you Roland, great job !

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Mikel Azkargorta

Mikel_Azkargorta_

The GNOME DI provides me the warm tube-sound I like and enjoy when playing live, but in a package
I can carry so easily in the bass case itself!! It makes my bass sound warmer and punchier,
but with lots of definition and presence, and helps me get right through the mix.
I was looking for such a thing in order to "warm" my setup, and finally got it in the GNOME.
And now I can carry my own "sound" just with my bass, two jacks, and the GNOME,
no matter which amp I am playing - plug directly to the power section, and there it is.
Last, but not least, the GNOME is hand-made with love and taste, and rock-solid.
And talking and making business with Roland is as easy as playing through his preamps:
everything goes smooth and clear. If I should lose my GNOME I would definitely go for another (or two)!

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Maik Schmolke maikschmolke.de

Maik_Schmolke_

"The Goliath Tube Emphasizer DI is a great tool for playing live and also a great little helper
in studio situations. It adds an extra freshness to the sound and helps to create a very warm,
tranparent and very musical sound that will surely inspire you playing your instrument.
Absolutely recommended!"

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Roger Hedin - freelance bassist

Roger_Hedin

The Goliath preamp makes my traditional passive basses sound good and sit in the mix regardless of amp I use.
Mostly I use Class D amps for portability, and the Goliath makes them come alive in that old school way.
Also when I go only DI it feels like I play through an amp. My fretless gets a nice growl with the Goliath too.
As I noticed so far, the Goliath handles effect pedals in a nice manner. I had preferred that all inputs and outputs
were placed on one side of the unit just to make pedal board placement easier; now the DI is on the left side
but all other connections on the "north" side. But - you can't have it all...
All in all a very nice and well sounding preamp with an old school virtual design.
I like it! //Roger Hedin - freelance bassist, Sweden

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Ingo Eder manuelnormal.at

Ingolf_Eder

Well, I just leave the Goliath switched on all the time. Once it is switched on, you just leave it that way.
The difference is so clearly audible, that you don't want to play without it any more. The sound is just more fresh
and crisp, like you had drawn a curtain. The sound becomes more round, well-balanced and has more brilliance.
Meanwhile I leave the tone controls mostly in a neutral position, even though you'd have infinite possibilities
with it. The controls really are perfect if you play as many different basses as I do. Just ideal for this certain
vernier adjustment. You really don't have to manipulate the knobs a lot to directly hear a difference.
The gadget is going to be very interesting in the studio, I'm already exited to try it there.

Thank you for this great gear!

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Achim Seifert achimseifert.com

Achim Seifert

I had been in search of a good tube preamp for quite some time and ran into the Goliath by accident.
After a short testing during a production (with Udo Lindenberg) in the studio all doubts were eliminated.
The Goliath wins you over with its unbelievably warm sound and an unparalleled presence, without deforming
the individual sound of my bass. It rather cultivates the sound as such and gives it additional charm.
By means of the integrated EQ you can conjure any sound as desired.
I'm happy not to be searching any more.

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Henri Wolbring alias "H v HonK" Cronaspia.com

Henri Wolbring

"My first choice to reach more dynamic. This box will append high range of harmonics,
as well as a very smooth compression. A really caressing tube sound without any disturbance of tone and clarity.
No matter if I use the GOLIATH on stage with my amp, plug it directly in to the PA or in recording situations,
I will get an upper class tone, every time. My first intend was to enhance the aseptic Hifi- trans- tone of my
GLOCKENKLANG amp. Nowadays my sound is even more lively." H v HonK

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Stefan Haußner "LAUDER"

Stefan Haußner

The Goliath Emphasizer "DI" arrived after just a few days packaged in exemplary fashion.
The gears' case is very robust and seems indestructable. You'll have to spend some time on the passive curcuit.
But since I used to play many tube amps like Ampeg SVT I+II, MesaBoogie400, Palmer or Peavey 400 + Alpha,
it was not very difficult to find "my" sound. Revealingly I activated the "Sensitive switch" and the
"Deep switch" and turned up the "bass" switch all the way. Treble is set to "2" and middle to "3".
Maybe that's quite an extreme adjustment, but I remember to have proceded in a similar way with my old
tube amps. The Tube sound is dreamlike. Extremely transparent, creamy and a little crunchy.
For people really wantig distortion, this gear is not suited. For a clean tube sound as a floor pedal it's a
top choice. I also found interesting to mix one tube channel and a second clean one
(using the John East Stomp Box) in recording. This was the perfect recording setup for me.
The Lehle DI does full justice to its reputation. So I can fully agree to the comments in professional journals:
The WR Goliath DI has a stiff price tag, you have to dig into the passive curcuit,
but you'll find the desired tube sound of your dreams, and the deal turns out to be a good one.

Stefan Haußner

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Andre Deuerling "ANGIZ"

Andre_Deuerling

Finally I had the opportunity to test the Goliath. In short: Absolutely great!
I've used it for our album recordings and I'm very satisfied with the sound result.
Essentially exactly what I had in mind to enrich my bass sound.
The Goliath will also be a permanent feature of my pedalboard.
I don't want to play a gig in the future without it.
Thank you, Roland!

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Martin van Delden

Martin_van_Delden_

"The Goliath makes all my basses sound better. Also it gives me the feel and dynamics of a large tube amp.
Fantastic device, highly recommendable!"

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Pietro Marchesini

Pietro_Marchesini

'I almost never use an amplifier and go straight into FOH via a preamp/DI.
The tube in the Goliath enlivens the signal without overloading it.
I also like to switch between different devices, depending on the instrument I am playing,
to shape a particular tone & I am very fond of the Goliath with a double bass.'

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Bruno Mühl (whiteandblue) (SoulSelection)

Bruno Mühl

This Goliath Tube Preamp brings really a beautiful clear and warm sound out of the box.
I’v played now several Gig’s with it and i still have it always with me and active.
Sometimes I think I don’t need it but if that thing is not active on my board,
I miss the sound immediately. I am very happy with it.
Alles Gute -- Bruno Mühl

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Laurent Panunzi

Laurent_Panunzi

The "WR Tube Bass Emphasizer DI" enriches the sound with the typical tube-warmth and
gives a nice final punch to my bass sound, without transforming the core of it.
The Di comes in handy playing at venues with pa's, as in ear monitoring or using it as an additional
recording track in studios I've been using it for quite a few months now and I won't definitely play
without it anymore. Every bass player should have this unit on his pedal board

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Theo PAP "KENNY FREQ."

Theo PAP

Sound wise I was truly impressed by the Goliath. The slight coloration of the sound is fantastic
(gives a sparkle to every note), the EQ is really musical and gave me more presence.
It's hard to get a bad sound out of it. I tried it with a Jazz Bass with flat wound strings and at last
I could dial in that tubey slightly compressed sound I love and have heard in many classic albums.
Overall it's a great piece of gear and the sound is exquisite. I've added it to my pedal board and it's going
to be my main pre-amp. I've used the Goliath live yesterday night. The sound was really excellent and the
sound engineer was pleased with the clarity of DI. Plenty of volume too in order to make
the amplifier work properly. I'm really pleased with the Goliath. Well done Roland!“
Theo Pap (Greece)

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Tom Dorau "Lymbic System"

Tom Dorau

I'm using your wonderfull Goliath Tube Bass Preamp for about two months now. When it first arrived at home,
I plugged it before my Ashdown Little Bastard, thinking it wouldn't do much because the LB30 is allready an all
tube amp... But no, it really made a difference! The Goliath made the sound a bit more gritty and compressed.
This way I can drive the Little Bastard faster into saturation (30 full tube Watt is quite alot at home and the
LB30 only has a master volume, no gain!). It also provides some extra toneshaping. After that, I used it with my
TC Electronic RH750. It had the same effect but much more obvious: fuller, harmonically richer tone which
made the TC sound much more natural, less 'sterile' (but that isn't the exact word to describe it). Actually,
that was the reason why I bought the Goliath. But we had to change our rehaersal room. The studio where
we used to rehearse was sold and we had to move to another, acoustically less perfect place in which the
Class D poweramp sonically drowned. In came the Ashdown ABM 500 Evo III that I still had as a backup.
I bought a set of Toneman 4x10's and we could hear (and feel) the bass again :-). Now the Goliath gives me
3 sound variations: clean (Ashdown solid state preamp, Goliath bypassed), 'tubey clean' (Goliath on) and
overdrive (Goliath + internal tube preamp of the Ashdown with lots of gain). The natural compression of the
Goliath is also great in this setup. Now I don't have to use the onboard compressor of the Ashdown anymore,
which is pretty useless due to its enormous volume-drop...
Thank you for this great little pedal! Cheers! Tom

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Magnus Kunow

Magnus Kunow

The Goliath Bass Tube Emphasizer DI is a great device which, due to its unique design using an ECC86 tube,
hardly compares to any other stomp box or tube preamp. It provides a slight compression and adds
nice harmonics
to the signal while it always preserves its original character.
When using it with solid state amps or directly recording the symmetric DI output,
it gives you an extra tube warmth. Furthermore, it freshens up signals with little harmonics.
Thereby, the effect always remains subtle, but once one figured out how it works,
one will clearly notice the difference when switching it into bypass mode.
I am very happy that this little box found its way into my gear park.
Magnus Kunow (Switzerland)

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Mario Levin Schröder THE BEAT!radicals

Mario_Levin_Schröder

"After a long test phase with diverse basses and amplification systems
I can tell you now, that I am more than satisfied with the Goliath Emphasizer "DI".
I have the impression that it has given a sort of rejuvenating cure to all the other pedals.
Everything, the pure bass signal, but also the amplifier and all effect units
sound significantly better with the Goliath. It's plugged in to the line of units
right after tuner and wah-wah pedal. It's always switched on!
This investment has more than paid off!! I can't say when or if ever
I have been as satisfied with a piece of bass equipment I bought, as now with the Goliath.
This pedal is worth every penny!"

 

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Dr. Burkhard Schmidt

Dr. Burkhard Schmidt

The spectacular thing about the Goliath is that it is not spectacular in a superficial, excessive way.
If switched on, its effect comes to me on a cat's paws rather than on the chains of a bulldozer.
If switched off however, I miss the effect immediately and turn the Goliath back into function again.
Dir alles Gute und viele Grüße, Burkhard

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Paul Lebrun † (Winkelpickers.LU) - Bert Gerecht (Hotwire-Bass, DE)

Paul Bert

"This unit gives me a warm harmonic sound a little more compression and the dynamic range over
all frequencies of the WR Goliath Tube Bass Pre-Amp is amazing.
I won’t play without it, it gives a pure sound to my 'solid state' amplifier and even improves
the sound of my tube amplifier! The effect is natural and subtle. "
Paul Lebrun

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Martin Pfuhler [ Mothership (Led Zeppelin Tribute) Ilja’s Richter (GlammRock) ]

Martin Pfuhler

A while ago I bought the WR Goliath Emphasizer "DI". I use the device permanently
since then in any kind of situation, both on stage and for recording. The goliath modifies the sound only
marginally, it is as if it breathes life into the rest of my setup. But when I switch it off I notice,
how big the difference it makes actually is. I have several other "little sound helpers",
for instance the Cocacomp by Okko, the FET overdrive by Tritonelab and the VT Bass by Tech 21.
All of them work just fine without the Goliath, but in conjunction with it they are really perfect.
Martin Pfuhler, Haldern

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Gerhard „Benji“ Hösel "Lilli & The Last Temptation"

Gerhard „Benji“ Hösel    Gerhard_Hösel_Pedalboard

"I used the WR Goliath Emphasizer directly while playing a gig and was enthused from the first moment.
Visual appearance and haptics speak for themselves, touching the controls and switches you feel the quality.
The effect itself is subtle but striking. Your fellow musicians may not notice the difference if the
Goliath ist switched on or off, but the playing experience for me as a bass player ist beyond comparison,
the whole range of frequencies is "gleaming" and the tone is enhanced with a warmth and depth
you only get - not using the Goliath - with first-class tube-amps. Once you turn it on you're hooked on its sound,
and for me there is no reason to just use it as a "booster". From now on, the gadget is always plugged in".
Best whishes and lots of success! Gerhard „Benji“ Hösel (Austria)

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Björn Uhrig "The Gaz Guzzlers"

Björn Uhrig

"I found the one bass sound I always wanted a few years ago.
When I tried the Goliath I found all the other ones I didn't even know I always wanted.
There will be no gig without it anymore."

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Dr. Alfred Nückel

Dr. Alfred Nückel

The "Goliath" has its name for a good reason! It's an amazing device!
The basses' sound is improved substantially!
I use a Glockenklang amplifyer and get a significantly warmer sound from it with the Goliath,
similar to the early Mesa Boogie 400+!
I'm absolutely enthusiastic, thanks a lot!
Dr. Alfred Nückel (Germany)

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Claus Roeske
("BrickTown BigBand"; "Habana Sonido Workshopband"; "Blue Dolphins")

Claus Roeske

"I enjoy the Goliath very much. Yesterday I even tried it without amplifier plugging
it directly into the PA and I was very satisfied.
Using it with my bassamp is also very pleasing. I used to play an Orange tube amplifier,
which I eventually found too heavy. Meanwhile I utilise a light and handy digital amp
with two light-weight 10-inch-speakers. The Goliath does exactly what I hoped for,
it gets this tube touch into my bass sound. Thank you for developing such a device.
Best wishes". Claus Roeske (Germany)

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Peter Riese

Peter Riese

"Very nice piece of equipment!
Gives the speakers quite a lot of warm punch if you adjust it right. Very fine.
Since I do a lot of recording plugging the bass directly into the sound mixer it's a very good device.
That's what I was missing for direct bass recording."
Peter Riese (Germany)

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Thomas Rutt

Thomas Rutt

"I have tested the Goliath thouroughly. It has an amazing sound and gives the bass
significantly more projection capacity within the band. I am very satisfied with that.
Best regards and good luck with the Goliath"
Thomas Rutt (Germany)

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Paul R. "The Michael Shepherd Band"

Paul R.

" The GOLIATH gives me that extra smooth tube sound... what a great little box"

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Daniel Kries "Heavy Petrol"

Danial Kries

" The "GOLIATH" what is this! pure tube sound! "fucking great Box, I love"

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Luca Parisi "Faces of Blues" and Brutti & Boi

Luca Parisi

“I have played using WR foot pedals for years with the highest satisfaction. Even so,
I have to say that the “GOLIATH” is just crazy, so much pressure and such a wide spectrum of sound,
what a great experience! A must-have!”
Luca Parisi (Italy)

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Al Werner "Clanrock"

Al Werner

“ Al say's - Every Hammond needs a GOLIATH !
It emphasize the sound so wonderfull, I love this box so mutch”

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Pedalboards

 

Thomas Dölger's pedalboard with the Gnome "DI"

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Roger Hedin's pedalboard
Roger Hedin's pedalboard with the Goliath "DI"

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Andre_Deuerling
Andre_Deuerling's pedalboard with the Goliath "DI"

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Martin_Pfuhler_Pedalboard
Martin PHULER's pedalboard with the Goliath "DI"

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Bernard_Goncalves
Bernard Goncalves pedalboard with the "Goliath"

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Nicolas MENDEZ's pedalboard with the "Goliath"
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Theo_Pap_PedalBoard
Theo PAP's_ pedalboard with the "Goliath"
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Goliath on pedalboard Lebrun
Paul Lebrun's (†) pedalboard with the "Goliath"
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Ove Bosch
Ove Bosch's pedalboard with the "Goliath DI"
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Mario Levin-Schröder Pedalboard
Mario Levin Schröder's pedalboard with the "Goliath"
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Stefan Haußner
Stefan Haußner's pedalboard with the "Goliath DI"
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Pietro Marchesini's pedalboard with the "Goliath"
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Reitz Christophe
Reitz Christophe's pedalboard with the "Goliath"
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Goliath on pedalboard Reuter
Paul R. pedalboard with the "Goliath"

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Tom_Dorau_board
Tom Dorau's pedalboard with the "Goliath"

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Ady Zeimet
Ady Zeimet's pedalboard with the "Alioth tube booster"

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Dan Cremmer
Dan Cremmer's pedalboard with the "Alioth tube booster"

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